| THE PLAYERS: |
| |
Randolph E. Siple
|
Leader and Trombone |
|
Jack Wassil
|
trumpet |
|
Gary Smith
|
Clarinet and Tenor Sax |
|
Jim Wade
|
Tuba |
|
Fred Billson
|
Banjo |
|
Bert Alton
|
Banjo |
|
(Sweet) Clare Hume
|
acoustic piano |
|
Murry Robbins
|
drums |
|
Ron Billson
|
all vocals |
|
except Georgia, sung by Jack Wassil
|
THE TUNES
DALLAS BLUES: (1918- Hart A. Ward w, Lloyd Garrett
m) This standard blues was oft recorded by big bands but seldom by traditional
jass bands. We love it. Listen to the great trumpet at the beginning and
close.
DOCTOR JASS: (1922- Waiter Melrose w, Joe King
Oliver m) Recording Traditional. jass bands have also neglected this wonderful
tune. Listen to the words. They are about a New Orleans character who
could fix up a man's well being by procuring the favors of a lady of the
night. A tuff job but somebody had to do it. Its a fun song.
JOE AVERY BLUES: (Traditional tuba tune) I first
heard this song in the French Quarter on a morning of 1992. A kids band
was playing it and a very overweight boy was playing a very beat up Sousaphone.
Later the same day I returned to the spot and in a large crowd I could
see the same Sousaphone moving about. I looked and discovered it was now
played by an equally overweight daddy, with wildly painted finger nails.
As he pranced and played he displayed the nails with great gusto. Avery
was a well-known and liked tailgating trombone player of New Orleans
SHINE: (1924- Cecil Mack w, Lew Brown m) Clarinet
players like this one which explains why it was in the 1955 movie, "The
Benny Goodman Story." Many have recorded it and now so has our own Gary
Smith.
BLUEBERRY HILL: (1940- Al Lewis, Larry Stock and
Vincent Rose w & m) Most recall Fats Domino's and Louie Armstrong's
1956 great hits, but most forget the first big hit was by Bob Eberly and
the Glen Miller band in 1940. You probably forgot that Gene Autry sang
it in "The Singing Hill" in 1941. Mostly Trad. jass bands have ignored
it until now.
PEORIA: (1918- Billy Rose w, Harry Wood and Mort
Dixon m) Peoria is a WW I lament about sailors at war and at Sea. It became
a trad Jass standard when the Firehouse 5 +2 recorded it Feb. 24, 1957.
SUGAR BLUES: (1922- Clarence Williams w, and Lucy
Fletcher m) In 1922 Leona Williams and her Dixieband first recorded Sugar
Blues, but it became famous and a standard when Clyde McCoy took it as
his theme and added the waw-waw on his trumpet. Our Jack's tribute to
McCoy could not be better. Great Lyrics too!
ALABAMA JUBILEE: (1915- Jack Yellen & George
Cobb w\m)
Long neglected this upbeat song was revived by Red Foley
in 1951.
it has seldom been recorded by Trad. Jass Bands. Enjoy!
STRANGER ON THE SHORE: (1962- Robert Millen w,
Acker Bilk m) Acker Bilk originally called it, "Jenny" When it was used
as theme for a British TV series called "Stranger on the Shore", its title
was quickly changed. Bilk's version was on top of the charts both here
and in Britain at the same time.
ROSE OF WASHINGTON SQUARE: (1920- Ballard MacDonald
w, James Hanley m) Little recorded this was revived by Barbara Streisand
in "Funny Girl". We never tire of playing the song.
GEORGIA ON MY MIND: (1930- Stuart Gorrelln w,
Hoagy Carmichael m) When Hoagy first recorded it was a piano number. You
must recall Ray Charles 1960 recording it as a vocal. If not you certainly
remember Willie Nelson's version. Our Jack's vocal was specially requested
by Charlies Davis Candidate for President in 1995. We gave it to him to
use in his campaign.
BOURBON STREET PARADE: (1952- Paul Barbarian w\m)
Paul a New Orleans drummer wrote this song for his band and Walaa!
WHEN THE SAINTS GO MARCHING IN: (Traditional)
We always finish with this, our national jass anthem. Never once had a
complaint from the audience. Keep on Jass'n!
RECORDING INFO:
Recorded at the "GoldMine" recording studio in Ventura CA
on October 20, 1995.
Recording Engineer was Jeff Cowan.
Mixing was done by Jeff Cowan, Randy Siple and Brian Young.
The final mix down was done with a Windows 3.1 and then
run to a DAT cassette.
Cover by Steve Parr (805) 493-1462.
Other artwork and liner notes by Randy Siple, leader, also
known as Doc Jass, a well-known trad. jass D.J.
*JASS is the correct way to spell the word. It is a short
form for JACKASS music used by Chicago musicians who did not like the new
music from DIXIELAND. The Original Dixieland Jass Band used the correct
form until pranksters scratched out the J. They and the papers then changed
it to JAZZ. |