|
|
||||
 |
||||
| ACT 4 | LENGTH: 14 min 25 sec | |||
|
|
||||
| ACT 4 | SCENE 1 |
00/00
|
||
|
|
||||
| SOURCE: | VIDEO | Vol. 2 #4 |
The Enemy Within
|
??
|
| START: | ENTERPRISE FLY BY | |||
| SOURCE: | AUDIO | Vol. 3 #7 |
The Man Trap
|
music
|
|
|
||||
| SOURCE: | VIDEO | Vol. 24 #48 |
Obsession
|
36/30 - 37/12
|
| CUT: | CREWMAN'S QUARTERS | |||
| CREWMAN- | Mister Spock, what if someone in the corridor offers... | |||
| SPOCK- | (interrupting) The best thing to do, is to just say no. We've found two pot parties on this level already, and it might be spreading. Wait... (He sniffs twice.) Do you smell... marijuana? | |||
| SOURCE: | AUDIO | Vol. 30 #60 |
The Enterprise Incident
|
music
|
| CREWMAN- | Sir, it's coming through the vent. | |||
| SOURCE: | AUDIO | Vol. 13 #26 |
This Side of Paradise
|
music
|
| SPOCK- | (throwing crewman out) Get out! | |||
| SOURCE: | AUDIO | Vol. 29 #58 |
Elaan of Troyius
|
music
|
| CREWMAN- | All by itself! | |||
| SPOCK- | I'll attempt to shut it off! (He tries to block the smoke with his hands.) There. | |||
|
|
||||
| ACT 4 | SCENE 2 |
00/49
|
||
|
|
||||
| SOURCE: | VIDEO | Vol. 40 #79 |
Turnabout Intruder
|
16/41 - 16/58
|
| START: | KIRK'S QUARTERS | |||
| McCOY- | This plot is really weak, Jim. | |||
| SOURCE: | AUDIO | Vol. 30 #60 |
The Enterprise Incident
|
music
|
| KIRK- | We have four or five distinct subplots and we're hinting at at least one major one. | |||
| SOURCE: | AUDIO | Vol. 15 #29 |
Catspaw
|
music
|
|
|
||||
| SOURCE: | VIDEO | Vol. 40 #79 |
Turnabout Intruder
|
17/17 - 17/33
|
| McCOY- | Somebody's blasting us from space, all the tapes and condiments are messed up, and what are you doing? | |||
| KIRK- | The party is important. | |||
| McCOY- | Something better develop, right away. You know that ratings are considered to be Paramount! | |||
| SNDFX- | (rim shot) | |||
| KIRK- | Aren't you forgetting Desilu? | |||
| SNDFX- | (rim shot) | |||
| KIRK- | And NBC? | |||
| SNDFX- | (rim shot) | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 40 #79 |
Turnabout Intruder
|
17/57 - 18/10
|
| McCOY- | And a whole bunch of Trekkies who believe in Captain James T. Kirk! | |||
| KIRK- | I can't stand around chatting. I've got a job to do. | |||
|
|
||||
| ACT 4 | SCENE 3 |
01/33
|
||
|
|
||||
| SOURCE: | VIDEO | Vol. 01 #07 |
The Man Trap
|
22/33 - 22/55
|
| START: | CORRIDOR | |||
| ACTION- | (Rand exits turbolift. Crewman follows her.) | |||
| RAND- | Why don't you go chase an asteroid! | |||
| CREWMAN 1- | What a dish! | |||
| RAND- | Thank you! | |||
| ACTION- | (She walks away. Crewmen ogle her.) | |||
| CREWMAN 2- | What a nice pair of asteroids! | |||
| CREWMAN 1- | Yea, and I wonder where that bacon's gonna end up. | |||
| SOURCE: | AUDIO | Vol. 21 #42 |
I, Mudd
|
music
|
|
|
||||
| ACT 4 | SCENE 4 |
01/57
|
||
|
|
||||
| SOURCE: | VIDEO | Vol. 22 #44 |
Journey to Babel
|
15/03 - 16/06
|
| SOURCE: | AUDIO | Vol. 7 #14 |
Court-Martial
|
music
|
| START: | RECROOM | |||
| SOURCE: | AUDIO | Vol. 4 #9 |
Charlie X
|
music
|
| TELERITE- | (pig noises) | |||
| SAREK- | It does seem unavoidable. | |||
| TELERITE- | (pig noises) | |||
| SAREK- | Would you be the one who went to market or the one who stayed home? No matter. We favor admission. | |||
| TELERITE- | (pig noises) | |||
| SAREK- | Tell me, why does a Telerite cross the road? No one has yet given me an explanation for this. | |||
| TELERITE- | (pig noises) | |||
| SAREK- | Exactly. You see, Vulcan doesn't want the Andorians to end up on the wrong side of the road. Now I'll bet you comprehend that! | |||
| TELERITE- | (pig noises) | |||
| SAREK- | Tell me, how are Mrs. Telerite, and the little piglets? | |||
| TELERITE- | (irate pig noises) | |||
|
|
||||
| ACT 4 | SCENE 5 |
02/59
|
||
|
|
||||
| VIDEO | Vol. 29 #58 |
Elaan of Troyius
|
26/22 - 27/20
|
|
| START: | BRIDGE | |||
| UHURA- | Captain, where are you? I've been waiting for you back here up to the bridge. We have a real emergency going on, brother! | |||
| INTERCUT- | KIRK'S QUARTERS | |||
| ACTION- | (Kirk is sitting on the bed with woman 4.) | |||
| SPOCK- | (VO intercom) Captain, alien probe approaching. Origin unknown. Encounter in four minutes. Does anyone know where the Captain is? | |||
| SOURCE: | AUDIO | Vol. 3 #7 |
The Man Trap
|
music
|
| KIRK- | Kirk here! Don't worry! Red alert! All decks, red alert! Kirk out. | |||
| SOURCE: | AUDIO | Vol. 2 #4 |
The Enemy Within
|
music
|
| ACTION- | (Walks out on woman 4. Big drama.) | |||
| SOURCE: | AUDIO | Vol. 15 #29 |
Catspaw
|
music
|
| WOMAN 4- | Shoot! | |||
|
|
||||
| ACT 4 | SCENE 6 |
03/44
|
||
|
|
||||
| SOURCE: | VIDEO | Vol. 01 #07 |
The Man Trap
|
21/29 - 21/44
|
| START: | CORRIDIR / TURBOLIFT | |||
| ACTION- | (Kirk enters turbo lift.) | |||
| CAMERA MAN- | (nearly bumps Kirk) Sorry, Captain. | |||
| KIRK- | It's okay. | |||
|
|
||||
| ACT 4 | SCENE 7 |
03/58
|
||
|
|
||||
| SOURCE: | VIDEO | Vol. 4 #09 |
Charlie X
|
06/42 - 07/28
|
| START: | CORRIDOR | |||
| SOURCE: | AUDIO | Vol. 4 #09 |
Charlie X
|
music
|
| CHARLIE- | See you around. | |||
| ACTION- | (Charlie slaps Rand on the butt.) | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 01 #07 |
The Naked Time
|
29/16 - 29/21
|
| CUT: | CORRIDOR | |||
| CREWMAN- | (sings) "Take good care of yourself, you belong to me!" | |||
| RAND- | Help! | |||
|
|
||||
| ACT 4 | SCENE 8 |
04/43
|
||
|
|
||||
| SOURCE: | VIDEO | Vol. 21 #41 |
The Trouble With Tribbles
|
47/33 - 47/47
|
| START: | BRIDGE | |||
| SPOCK- | Captain, its function is for observation only. | |||
| KIRK- | Deflector shields up! Let's try to look good. Does this object pose any threat? (checks seat) | |||
| SPOCK- | Unknown. | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 03 #07 |
The Man Trap
|
10/17 - 10/26
|
| CUT: | BRIDGE | |||
| SOURCE: | AUDIO | Vol. 5 #11 |
What Are Little Girls Made Of?
|
music
|
| ACTION- | (The Enterprise collides with the object.) | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 28 #56 |
Assignment: Earth
|
00/33 - 00/38
|
| CUT: | BRIDGE | |||
| ACTION- | (The crew is tossed around.) | |||
| KIRK- | Alert status. Force shields on maximum. | |||
| SOURCE: | AUDIO | Vol. 6 #13 |
Miri
|
music
|
|
|
||||
| SOURCE: | VIDEO | Vol. 24 #47 |
The Immunity Syndrome
|
05/48 - 06/01
|
| CUT: | BRIDGE | |||
| SPOCK- | It is a giant special effects camera, knocked off course, by a giant humanoid organism! | |||
| KIRK- | Scanners on. | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 38 #75 |
Requiem For Methuselah
|
39/32 - 39/34
|
| CUT: | BRIDGE MONITOR | |||
| SOURCE: | AUDIO | Vol. 27 #54 |
The Ultimate Computer
|
music
|
| ACTION- | (Kirk's eyes appear, taking up the entire monitor screen, looking into the bridge.) | |||
| KIRK- | (VO reverberating) Gentlemen, we're holding a script conference on a neutral planetoid, Gamma-Vertis IV in one hour. Be there! | |||
| SOURCE: | AUDIO | Vol. 32 #63 |
The Tholian Web
|
music
|
|
|
||||
| SOURCE: | VIDEO | Vol. 40 #79 |
Turnabout Intruder
|
44/28 - 44/33
|
| CUT: | BRIDGE | |||
| ACTION- | (Kirk [note: in a different shirt] sees himself looming on the monitor & falls back into his chair, terrified.) | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 38 #75 |
Requiem For Methuselah
|
39/32 - 39/34
|
| CUT: | BRIDGE MONITOR | |||
| ACTION- | (Kirk's eyes again.) | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 01 #02 |
The Corbomite Maneuver
|
22/50 - 22/55
|
| CUT: | CORRIDOR | |||
| ACTION- | (Crew listen.) | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 30 #59 |
And The Children Shall Lead
|
36/01 - 36/09
|
| CUT: | BRIDGE | |||
| ACTION- | (Spock drags Kirk to for the turbo lift.) | |||
| SPOCK- | C'mon, Jim. Just listen to the music | |||
| INTERCUT: | TURBO LIFT INTERIOR | |||
| SOURCE: | AUDIO | Vol. 6 #12 |
The Conscience of the King
|
music
|
| KIRK- | I don't wanna be, canceled... | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 34 #67 |
Wink of an Eye
|
00/12 - 00/20
|
| CUT: | BRIDGE | |||
| SCOTTY- | Scott here. I've taken the bridge, but all I know is that we're headed someplace named "Gamma-Vertis IV." | |||
|
|
||||
| ACT 4 | SCENE 9 |
05/34
|
||
|
|
||||
| SOURCE: | VIDEO | Vol. 01 #07 |
The Naked Time
|
40/47 - 41/14
|
| START: | CONFERENCE ROOM | |||
| SOURCE: | AUDIO | Vol. 01 #07 |
The Naked Time
|
music
|
| ACTION- | (Spock strikes Kirk, knocking him down.) | |||
| KIRK- | Hey! (standing up) I wanna go on to make motion pictures! | |||
| SOURCE: | AUDIO | Vol. 25 #49 |
By Any Other Name
|
music
|
| SPOCK- | It's never been done! | |||
| KIRK- | Don't tell me that again, Science Officer! It's a theory! It must be possible! | |||
| SOURCE: | AUDIO | Vol. 21 #41 |
The Trouble With Tribbles
|
music
|
|
|
||||
| ACT 4 | SCENE 10 |
05/50
|
||
|
|
||||
| SOURCE: | VIDEO | Vol. 24 #48 |
Obsession
|
42/27 - 42/34
|
| START: | ENTERPRISE FLY BY | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 24 #47 |
The Immunity Syndrome
|
30/42 - 30/50
|
| CUT: | SHUTTLE BAY | |||
| ACTION- | (Craft positions for take off.) | |||
| SOURCE: | AUDIO | Vol. 24 #47 |
The Immunity Syndrome
|
music
|
| INTERCUT- | BRIDGE | |||
| SCOTTY- | There they go, and I'm on the bridge again! | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 7 #15 |
The Galileo Seven
|
01/48 - 01-55
|
| CUT: | SHUTTLE BAY | |||
| ACTION- | (Hanger doors open.) | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 16 #32 |
Metamorphosis
|
00/11 - 00/21
|
| CUT: | SHUTTLE CRAFT IN BAY | |||
| SNDFX- | (Kirk snoring) | |||
| SPOCK- | An inexpensive class "M" planet, with a colony of humanoid life-forms, Captain. | |||
| KIRK- | (waking - sarcastic) Just what we need! | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 7 #15 |
The Galileo Seven
|
01/48 - 02/12
|
| CUT: | SHUTTLE LAUNCH | |||
| SNDFX- | (Craft takes off.) | |||
|
|
||||
| ACT 4 | SCENE 11 |
06/33
|
||
|
|
||||
| SOURCE: | VIDEO | Vol. 35 #69 |
Let That Be Your Last Battlefield
|
33/08 - 33/25
|
| START: | CORRIDOR/RECROOM | |||
| SHADOW- | Look, the Captain's gone. All this stuff about "just say no?" Hey! Drugs are a lot of fun! The Shadow knows. You don't really think they're going to hurt you. You won't get hooked. No, not you! | |||
|
|
||||
| ACT 4 | SCENE 12 |
06/49
|
||
|
|
||||
| SOURCE: | VIDEO | Vol. 16 #32 |
Metamorphosis
|
05/11 - 05/27
|
| START: | SCRIPTWRITER'S PLANET | |||
| SOURCE: | AUDIO | Vol. 25 #49 |
By Any Other Name
|
music
|
| ACTION- | (They exit the shuttle craft.) | |||
| KIRK- | Remember where we parked. | |||
| SOURCE: | AUDIO | Vol. 25 #50 |
A Piece of the Action
|
music
|
|
|
||||
| SOURCE: | VIDEO | Vol. 37 #74 |
Cloud Minders
|
02/17 - 02/30
|
| CUT: | SCRIPTWRITER'S PLANET | |||
| ACTION- | (Camera pans.) | |||
| KIRK- | (walking around) What kind of humanoid would set up a colony on an inexpensive planetoid like this? | |||
|
|
||||
| SOURCE: | VIDEO | Non Trek | Lost In Space: #57 The Mechanical Men |
13/25 - 13/31
|
| CUT: | SCRIPTWRITER'S PLANET | |||
| ACTION- | (They come across the cast of "Lost in Space.") | |||
| JUDY- | I'll get the Dixie cups… (She sees Kirk & Spock) | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 16 #32 |
Metamorphosis
|
48/52 - 48/53
|
| CUT: | SCRIPTWRITER'S PLANET | |||
| ACTION- | (Kirk turns and looks.) | |||
|
|
||||
| SOURCE: | VIDEO | Non Trek | Lost In Space: #57 The Mechanical Men |
13/35 - 13/40
|
| CUT: | SCRIPTWRITER'S PLANET | |||
| SOURCE: | AUDIO | Vol. 30 #60 |
The Enterprise Incident
|
music
|
| JUDY- | Good-looking men! | |||
| JOHN- | (running up) Don't worry. I'll protect you. | |||
| SOURCE: | AUDIO | Vol. 6 #13 |
Miri
|
music
|
|
|
||||
| SOURCE: | VIDEO | Vol. 16 #32 |
Metamorphosis
|
47/49 - 47/53
|
| CUT: | SCRIPTWRITER'S PLANET | |||
| KIRK- | What are you doing here? This is neutral territory. | |||
|
|
||||
| SOURCE: | VIDEO | Non Trek | Lost In Space: #57 The Mechanical Men |
15/04 - 15/09
|
| CUT: | SCRIPTWRITER'S PLANET | |||
| JOHN- | Can't you see we're lost? | |||
| DON- | I wonder if they can help us get off this set? | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 16 #32 |
Metamorphosis
|
47/59 - 48/07
|
| CUT: | SCRIPTWRITER'S PLANET | |||
| SPOCK- | The Prime-Time Directive, expressly forbids, outside interference, of any kind. | |||
|
|
||||
| SOURCE: | VIDEO | Non Trek | Lost In Space: #57 The Mechanical Men |
15/50 - 15/54
|
| CUT: | SCRIPTWRITER'S PLANET | |||
| JOHN- | What hope have we got now, of getting out of this place? | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 16 #32 |
Metamorphosis
|
47/49 - 47/53
|
| CUT: | SCRIPTWRITER'S PLANET | |||
| KIRK- | (suggesting) "Lost In Space: The Voyage Home" | |||
|
|
||||
| ACT 4 | SCENE 13 |
07/52
|
||
|
|
||||
| SOURCE: | VIDEO | Vol. 2 #4 |
The Enemy Within
|
??
|
| START: | ENTERPRISE FLY-BY | |||
| SOURCE: | AUDIO | Vol. 22 #44 |
Journey to Babel
|
music
|
|
|
||||
| SOURCE: | VIDEO | Vol. 13 #25 |
The Devil in the Dark
|
10/34 - 10/39
|
| CUT: | BRIDGE | |||
| SCOTTY- | I've been up here for an awful long time! But that's okay! | |||
| SOURCE: | AUDIO | Vol. 6 #12 |
The Conscience of the King
|
music
|
|
|
||||
| ACT 4 | SCENE 14 |
08/02
|
||
|
|
||||
| SOURCE: | VIDEO | Vol. 27 #53 |
The Omega Glory
|
45/37 - 46/07
|
| START: | SCRIPTWRITER'S VILLAGE | |||
| KIRK- | So, you're the scriptwriters! | |||
| SCRIPTWRITER- | We hear there's a problem, with the script. | |||
| KIRK- | Get up. Face me! | |||
| SCRIPTWRITER- | All the time, we give you lines, you overact. It's not our problem. | |||
| KIRK- | I'll buy that. It's true. I can be arrogant, without meaning to. | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 27 #53 |
The Omega Glory
|
46/41 - 46/57
|
| CUT: | SCRIPTWRITER'S VILLAGE | |||
| KIRK- | Give me a copy of the script! (Kirk takes the script.) Look! What do you want? Look at THOSE words with a wonderful ring to them, never written before or since, (reading) "To boldly go where no... | |||
| SOURCE: | AUDIO | Vol. 37 #74 |
Lights Of Zetar
|
music
|
|
|
||||
| SOURCE: | VIDEO | Vol. 27 #53 |
The Omega Glory
|
46/41 - 46/46
|
| CUT: | SCRIPTWRITER'S VILLAGE | |||
| ACTION- | (Show scriptwriter's face..) | |||
| KIRK- | (VO) … man has gone before. Complete with weapons, | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 27 #53 |
The Omega Glory
|
47/00 - 48/55
|
| CUT: | SCRIPTWRITER'S VILLAGE | |||
| KIRK- | and ideologies..." And maybe a reason. Like, you know, like a reason. We need more stuff like that! How do you expect us to, to breathe into dialogue like, "Whoa! The ice-machine's broken! The condiments are bad! The tapes are all screwed up!" And this ship is still on the way to Babel without one plot twist worthy of our emotional investments, and yet you expect us to act! What say that you and I both try? You guys have got to give us something to work with! I mean, "Pot parties?" C'mon! Not just for us, but also for you! Because if we're gonna be canceled, buster, nothing. Do you understand?! | |||
| SOURCE: | AUDIO | Vol. 25 #49 |
By Any Other Name
|
music
|
| SOURCE: | AUDIO | Vol. 30 #60 |
The Enterprise Incident
|
music
|
| SOURCE: | AUDIO | Vol. 13 #26 |
This Side of Paradise
|
music
|
| SCRIPTWRITER- | We are just scriptwriters... we don't like pressure. Do you understand me, buster? (pause) We'll try. | |||
| SOURCE: | AUDIO | Vol. 2 #4 |
The Enemy Within
|
music
|
| KIRK- | All right! | |||
| SOURCE: | AUDIO | Vol. 26 #51 |
Patterns of Force
|
music
|
| ACTION- | (Kirk hands them back their script & wanders off with Spock & McCoy.) | |||
| SPOCK- | No question you've made a dent, Captain. But I wonder if they're capable of repairing the entire episode. | |||
| SOURCE: | AUDIO | Vol. 12 #24 |
A Taste of Armageddon
|
music
|
| KIRK- | Well, as long as they're getting A Piece Of The Action, they've got no choice. Just look at them. You see Spock, they're like children. Feeling sorry for themselves, their script, and their egos. | |||
| SOURCE: | AUDIO | Vol. 29 #58 |
Elaan of Troyius
|
music
|
| SPOCK- | Hmm... | |||
| SOURCE: | AUDIO | Vol. 27 #53 |
The Omega Glory
|
music
|
|
|
||||
| ACT 4 | SCENE 14 |
10/38
|
||
|
|
||||
| SOURCE: | VIDEO | Vol. 07 #15 |
The Galileo Seven
|
39/53 - 40/01
|
| START: | SHUTTLE DOCKING | |||
| SOURCE: | AUDIO | Vol. 07 #15 |
The Galileo Seven
|
music
|
|
|
||||
| SOURCE: | VIDEO | Vol. 38 #72 |
Lights Of Zetar
|
19/12 - 19/18
|
| CUT: | ENTERPRISE PULLS OUT OF ORBIT | |||
| SOURCE: | AUDIO | Vol. 18 #36 |
The Doomsday Machine
|
music
|
| KIRK- | (VO) Captain's log, area code 45, 67, 39, 2.68,10 carry the 4. What was I gonna say? (pause) As we pull out of orbit, we are letting the party run its course. And we are taking the liberty, of beaming aboard, any and all characters, that the Gamma-Vertis script conference might consider, in their attempt to recover, what might end up being, (ominous) The Lost Episode. | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 10 #19 |
The Alternative Factor
|
16/27 - 16/40
|
| CUT: | RECROOM | |||
| SOURCE: | AUDIO | Vol. 32 #63 |
The Tholian Web
|
music
|
| ACTION- | (Show Lazarus.) | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 11 #22 |
Tomorrow Is Yesterday
|
30/28 - 30/3?
|
| CUT: | FILM ARCHIVE | |||
| SOURCE: | AUDIO | Non Trek | A Clockwork Orange: Pomp & Circumstance |
music
|
| ACTION- | (Kirk with Sulu, examining reels of film.) | |||
| KIRK- | All right. Episode 76 has Abraham Lincoln. (aired as Episode 77) | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 39 #78 |
The Savage Curtain
|
07/52 - 08/00
|
| CUT: | TRANSPORTER ROOM | |||
| ACTION- | (Lincoln beams aboard.) | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 02 #05 |
Mudd's Women
|
14/12 - 14/17
|
| CUT: | CONFERENCE ROOM | |||
| ACTION- | (Mudd on screen.) | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 04 #08 |
Balance of Terror
|
10/29 - 10//38
|
| CUT: | BRIDGE | |||
| ACTION- | (Closeups of Spock then Kirk.) | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 02 #05 |
Mudd's Women
|
03/57 - 04/04
|
| CUT: | TRANSPORTER ROOM | |||
| ACTION- | (Mudd beams aboard.) | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 02 #05 |
Mudd's Women
|
04/49 - 04/57
|
| CUT: | BRIDGE | |||
| ACTION- | (Mudd beams aboard.) | |||
| KIRK- | Kahn! | |||
|
|
||||
| SOURCE: | VIDEO | Vol. 12 #23 |
Space Seed
|
14/58 - 15/00
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| CUT: | SICKBAY | |||
| ACTION- | (Kahn's stretching exercises) | |||
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| SOURCE: | VIDEO | Vol. 11 #22 |
Tomorrow Is Yesterday
|
32/45 - 32/58
|
| CUT: | FILM ARCHIVE | |||
| ACTION- | (Spock examines reels with Sulu and McCoy.) | |||
| SPOCK- | There's the ambassador. | |||
| McCOY- | Blast this intervention, Mister Spock. We're no better than street corner prostitutes! | |||
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| SOURCE: | VIDEO | Vol. 31 #61 |
Is There In Truth No Beauty?
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02/02 - 02/13
|
| CUT: | TRANSPORTER ROOM | |||
| ACTION- | (Spock in red shades transporting Ambassador Kollos.) | |||
| Dr. JONES- | Ambassador in a box! | |||
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| SOURCE: | VIDEO | Vol. 38 #75 |
Requiem For Methuselah
|
39/39 - 39/40
|
| CUT: | BRIDGE | |||
| ACTION- | (Kirk on screen with some woman.) | |||
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| SOURCE: | VIDEO | Vol. 04 #08 |
Balance of Terror
|
10/29 - 10//38
|
| CUT: | BRIDGE | |||
| ACTION- | (Spock raises an eyebrow, watching Kirk.) | |||
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| ACT 4 | SCENE 16 |
12/13
|
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| SOURCE: | VIDEO | Vol. 04 #08 |
Balance of Terror
|
20/06 - 20/32
|
| START: | ROMULAN BRIDGE | |||
| SELAK- | Uh, worry not. The Coridon system will not be admitted to the federation. We have the upper hand. They are grasping at straws. | |||
| ACTION- | ENTERPRISE FLIES TOWARD | |||
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| ACT 4 | SCENE 17 |
12/36
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| SOURCE: | VIDEO | Vol. 14 #28 |
Errand of Mercy
|
01/19 - 02/24
|
| START: | BRIDGE | |||
| SOURCE: | AUDIO | Vol. 5 #11 |
What Are Little Girls Made Of?
|
music
|
| ACTION- | (Vibes hit ship, Kirk and Spock ralph over railing.) | |||
| KIRK- | Lt. Uhura! Get me a mop! | |||
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| SOURCE: | VIDEO | Vol. 35 #69 |
Let That Be Your Last Battlefield
|
01/30 - 01/37
|
| START: | BRIDGE | |||
| SOURCE: | AUDIO | Vol. 4 #8 |
Balance of Terror
|
music
|
| SPOCK- | I've traced the source. I'm getting a visual signal. Putting it on the monitor, Captain. | |||
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| SOURCE: | VIDEO | Vol. 04 #08 |
Balance of Terror
|
14/54 - 15/30
|
| START: | BRIDGE | |||
| ACTION- | (Sarek (Mark Leonard- the same actor who plays Spock's father) appears on monitor.) | |||
| SPOCK- | Pop! | |||
| CREWMAN- | (thinking) Deja Vu! | |||